- Human Harp Module Assembly
Ankkit Modi, Luke Sturgeon, Pierluigi Dalla Rosa, Zaza Zuilhof - How to Build a Human Harp Module
Ankkit Modi, Luke Sturgeon, Pierluigi Dalla Rosa, Zaza Zuilhof - How to Make a Harp Cradle
Priyanka Kodikal, Pierluigi Dalla Rosa - The Movitian
(credit missing) - A Harp Kit for a Musician
Gahar Shahriari, Niels Christian K. Nielsen, Angela Oguntala, Wouter Walmink - A Harp Kit for Spinal Movement
Priyanka Kodikal, Ritika Mathur, Sara Salsinha, Shamik Ray - Making of the Spinal Harp Holster
Priyanka Kodikal, Ritika Mathur, Sara Salsinha, Shamik Ray - A Harp Kit with Multiple String Combinations
Daniel Mahal, Jane Kate Wong, Shu Yang Lin, Lasse Korsgaard - Harp Kit for Puppet-Like Movement
Neha Parekh, Takeshi Okahashi, Owen McFadzen, Ole Stobbe -
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Copenhagen Institute of Interaction Design
How makable are our modules and what does a movician need to play a bridge?
Di Mainstone and David Gauthier lead a two week workshop with 20 MA students at Copenhagen Institute of Interaction Design. The aim was to improve the design of the harp sound-controller and also to explore the role of a movician...
“During week 1 each student was asked to laser cut and make a harp module using the design made in London prototype. They were asked to note the successes and failures of this design, and reiterate with a focus on fab-lab makability, sustainability and usability for both the harp maker and performer” Di Mainstone
In the second week they focused on developing harp kits for 3 different users – “The Musician” a professional Human Harp expert, “The Puppet” a dancer who appears to be controlled by the harp, and finally ‘The Prosthetic” a dancer who’s body has become and extension of the instrument.
“The students produced some fascinating work developing a range of harnesses for the bridge player which they tested with our dancer Sarah and they then captured the results of their experiments on film” David Gauthier